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Reentry Shock
You can go home again, but it won’t be the same: Greg Blake Miller on memory, media and the context of creativity
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Posts from the ‘Russian/Soviet Cinema’ Category
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May 3, 2020
A Redemptive Dream of the Bad Old Days: Nostalgia, History, and Materiality in Tarkovsky’s “Andrei Rublev”
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January 25, 2020
At the Gates of Mosfilm, 1993
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March 19, 2018
The Set in the Woods
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January 23, 2016
Closed City
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December 1, 2010
Reentry Shock—The Dissertation
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April 28, 2010
Kalatozov’s “I Am Cuba” and the Search for Leninist Faith
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April 16, 2010
The Haunted Hero of Bondarchuk’s “Fate of a Man”
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April 14, 2010
Kalatozov’s First Masterpiece
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April 5, 2010
Matter and Memory in Karasik’s “Wild Dog Dingo” (USSR, 1962)
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October 31, 2009
Opening the Code: Scripting, Sincerity, and the Soviet Thaw
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